Abstract
The following is excerpted from a telephone interview with Zaha Hadid.
Work began with a shipwreck. It started with a premise that the modern projects have yet to begin. In the earlier times, the reference to the Russian avant garde was a very important beginning, not because of the Russian exuberance and dynamics, but because of the Russian's implications that architecture should be injected with a program.
How to Cite:
Hadid, Z., (1987) “The Calligraphy of the Plan”, Oz 9(1). doi: https://doi.org/10.4148/2378-5853.1140
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