Abstract
The debate in architectural theory and criticism of the past decade has centered around reintegration of a supposed lack of symbolic content in architectural form through, to a large part, a repudiation of its most recent legacy, the Modernist period and specifically the stylistic imperatives of its most obvious manifestation, the International Style.
How to Cite:
Papademetriou, P. C., (1987) “On Becoming a Modern Architect: Eero Saarinen's Early Work 1928-1948”, Oz 9(1). doi: https://doi.org/10.4148/2378-5853.1146
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