Abstract

Mieke Bal. The Mottled Screen: Reading Proust Visually by Beryl Schlossman

Anny Brooksbank Jones and Catherine Davies, eds. Latin American Women's Writing: Feminist Readings in Theory and Crisis by Rosemary Geisdorfer Feal

Tomasa Cuevas. Prison of Women: Testimonies of War and Resistance in Spain, 1939-1975 by Yolanda Molina Gavilán

David William Foster. Buenos Aires: Perspectives on the City and Cultural Production by Gustavo Geirola

Belinda Jack. Francophone Literatures: An Introductory Survey by Claire L. Dehon

Marx-Scouras, Danielle. The Cultural Politics of Tel Quel: Literature and the Left in the Wake of Engagement by Diane Fourny

Jeffrey Mehlman. Genealogies of the Text: Literature, Psychoanalysis, and Politics in Modern France by Florence Martin

Nancy Shawcross. Roland Barthes on Photography. by Philip Hadlock

Lewis W. Tusken. Understanding Hermann Hesse: The Man, His Myth, His Metaphors by Theodore Ziolkowski

Keywords: Mieke Bal, The Mottled Screen: Reading Proust Visually, Beryl Schlossman, Anny Brooksbank Jones, Catherine Davies, . Latin American Women's Writing: Feminist Readings in Theory and Crisis, Rosemary Geisdorfer Feal, Tomasa Cuevas, Prison of Women: Testimonies of War and Resistance in Spain 1939-1975, Yolanda Molina Gavilán, David William Foster, Buenos Aires: Perspectives on the City and Cultural Production, Gustavo Geirola, Belinda Jack, Francophone Literatures: An Introductory Survey, Claire L. Dehon, Danielle Marx-Scouras, The Cultural Politics of Tel Quel: Literature and the Left in the Wake of Engagement, Diane Fourny, Jeffrey Mehlman, Genealogies of the Text: Literature Psychoanalysis and Politics in Modern France, Florence Martin, Nancy Shawcross, Roland Barthes on Photography, Philip Hadlock, Lewis W. Tusken, Understanding Hermann Hesse: The Man His Myth His Metaphors, Theodore Ziolkowski

How to Cite:

(2000) “Reviews of recent publications”, Studies in 20th & 21st Century Literature 24(2). doi: https://doi.org/10.4148/2334-4415.1489