Abstract
In an article entitled "De Nanterre à Hollywood" ("From Nanterre to Hollywood"), published in a 1996 issue of L'Express, Dalila Kerkouche writes: "leur père tenait le marteau piqueur, eux manient la caméra…
Keywords: De Nanterre à Hollywood, From Nanterre to Hollywood, 1996, L'Express, Dalila Kerkouche, Maghrebi-French Directors, Cinema, Film
How to Cite:
Sherzer, D., (2002) “Maghrebi-French Directors Behind the Camera: The Cinema of the Second G”, Studies in 20th & 21st Century Literature 26(1). doi: https://doi.org/10.4148/2334-4415.1525
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