Abstract

Anne Fuchs, Mary Cosgrove, and Georg Grote. German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990 by Helen Cafferty

Herschel Farbman. The Other Night: Dreaming, Writing, and Restlessness in Twentieth-Century Literature by Sidney Feshbach

Richard Neupert. A History of the French New Wave Cinema by Candice Nicolas

Dianne Marie Zandstra. Embodying Resistance: Griselda Gambaro and the Grotesque by James Gustafson

Matthew J. Marr. Postmodern Metapoetry and the Replenishment of the Spanish Lyrical Genre, 1980-2000 by John Wilcox

Gail A. Bulman. Staging Words, Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater by Patricia Tomé

Alex E. Blazer. I Am Otherwise: The Romance Between Poetry and Theory after the Death of the Subject by Salah Khan

Marcelline Block. Situating the Feminist Gaze and Spectatorship in Postwar Cinema by Marzia Caporale

Keywords: Anne Fuchs, Mary Cosgrove, Georg Grote, German Memory Contests: The Quest for Identity in Literature Film and Discourse since 1990, Helen Cafferty, Herschel Farbman, The Other Night: Dreaming Writing and Restlessness in Twentieth-Century Literature, Sidney Feshbach, Richard Neupert, A History of the French New Wave Cinema, Candice Nicolas, Dianne Marie Zandstra, Embodying Resistance: Griselda Gambaro and the Grotesque, James Gustafson, Matthew J. Marr, Postmodern Metapoetry and the Replenishment of the Spanish Lyrical Genre 1980-2000, John Wilcox, Gail A. Bulman, Staging Words Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater, Patricia Tomé, Alex E. Blazer, I Am Otherwise: The Romance Between Poetry and Theory after the Death of the Subject, Salah Khan, Marcelline Block, Situating the Feminist Gaze and Spectatorship in Postwar Cinema, Marzia Caporale

How to Cite:

(2010) “Reviews of recent publications”, Studies in 20th & 21st Century Literature 34(2). doi: https://doi.org/10.4148/2334-4415.1734