Volume 28 • Issue 2 • 2004
introductory
article
Hesitating Between Irony and the Desire to be Serious in Moi, Tituba, sorcière... noire de Salem: Maryse Condé and her Readers
- Sarah E. Barbour
Volume 28 • Issue 2 • 2004
Moving On? Memory and History in Griselda Gambaro's Recent Theater
- Gail Bulman
Volume 28 • Issue 2 • 2004
A Literary Form for Love: Yves Navarre's My Friends Are Gone with the Wind
- Richard M. Berrong
Volume 28 • Issue 2 • 2004
Recollecting Wondrous Moments: Father Pushkin, Mother Russia, and Intertextual Memory in Tatyana Tolstaya's "Night" and "Limpopo"
- Karen R. Smith
Volume 28 • Issue 2 • 2004
Reconfiguring Boundaries in Maryse Condé's Crossing the Mangrove
- Deborah B. Gaensbauer
Volume 28 • Issue 2 • 2004
For-Giving Death: Cixous's Osnabrück and Le Jour où je n'étais pas là
- Eilene Hoft-March
Volume 28 • Issue 2 • 2004
