Volume 24 • Issue 2 • 2000

Front matter, vol. 24, issue 2

2000-06-01 Volume 24 • Issue 2 • 2000

The Chiasmus of Mourning and Identification in Jean Genet

• Peter Benson

2000-06-01 Volume 24 • Issue 2 • 2000

Maria Vargas Llosa's El hablador as a Discourse of Conquest

• José Castro Urioste

2000-06-01 Volume 24 • Issue 2 • 2000

Proust, Bakhtin, and the Dialogic Albertine: Voice and Fragmentation in The Captive

• Jesse Kavadlo

2000-06-01 Volume 24 • Issue 2 • 2000

Subject to Instability

• Karen Bouwer

2000-06-01 Volume 24 • Issue 2 • 2000

Writing Photography: The Grandmother in Remembrance of Things Past, the Mother in Camera Lucida, and Especially, the Mother in The Lover

• Erin Mitchell

2000-06-01 Volume 24 • Issue 2 • 2000

Victoria Ocampo and Alfonso Reyes: Ulysses's Malady

• Doris Meyer

2000-06-01 Volume 24 • Issue 2 • 2000

Existentialist Roots of Narrative Actants

• David Herman

2000-06-01 Volume 24 • Issue 2 • 2000

The Missing Set: How Landscape Acts in The Cherry Orchard

• Ann Leone

2000-06-01 Volume 24 • Issue 2 • 2000

Reviews of recent publications

2000-06-01 Volume 24 • Issue 2 • 2000