Volume 26 • Issue 2 • 2002

Front matter, vol. 26, issue 2

2002-06-01 Volume 26 • Issue 2 • 2002

When I Means We: A Reading of School in French Caribbean Apprenticeship Novels

• Pascale De Souza

2002-06-01 Volume 26 • Issue 2 • 2002

Boris Vian's American Movie: The Lost Authorship of I Will Spit on Your Graves

• M. Martin Guiney

2002-06-01 Volume 26 • Issue 2 • 2002

A Tale of Two Authors: Valenzuela and Borges

• Sharon Magnarelli

2002-06-01 Volume 26 • Issue 2 • 2002

Almost the Same, but Not Quite: Re-Orienting the Story of the Subject in Christina Fernández Cubas's El año de Gracia

• Jessica A. Folkart

2002-06-01 Volume 26 • Issue 2 • 2002

interview, Ghada Amer, French,

• Fuencisla Zomeño

2002-06-01 Volume 26 • Issue 2 • 2002

"What Exactly Is a Black?": Interrogating the Reality of Race in Jean Genet's The Blacks

• Debby Thompson

2002-06-01 Volume 26 • Issue 2 • 2002

Hermann Hesse's Hegelianism: The Progress of Consciousness Towards Freedom in The Glass Bead Game

• John Krapp

2002-06-01 Volume 26 • Issue 2 • 2002

The Construction of History in the Folds of Family History in the Novel Song Lost in West Buenos Aires by María Rosa Lojo

• Zulema Moret

2002-06-01 Volume 26 • Issue 2 • 2002

Reviews of recent publications

2002-06-01 Volume 26 • Issue 2 • 2002

Is "Kulturnation" a Synonym for "National Identity"?

• Helmut Peitsch

2002-06-01 Volume 26 • Issue 2 • 2002