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Volume 42 • Issue 1 • 2017

introductory


Advertisement: Tulsa Studies in Women's Literature

Advertisement: Tulsa Studies in Women's Literature

  • Necia Chronister

Volume 42 • Issue 1 • 2017

ReDrawing of Narrative Boundaries: An Introduction

ReDrawing of Narrative Boundaries: An Introduction

  • Frederick Luis Aldama

Volume 42 • Issue 1 • 2017

STTCL Editorial Board

STTCL Editorial Board

  • Necia Chronister

Volume 42 • Issue 1 • 2017

article


Words + Pictures: A Manifesto

Words + Pictures: A Manifesto

  • Jean Braithwaite

Volume 42 • Issue 1 • 2017

"Like Oil and Water": Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)

"Like Oil and Water": Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)

  • Matthew Bolton

Volume 42 • Issue 1 • 2017

An Unexpected Life Through Comics: An Interview with Ben Katchor

An Unexpected Life Through Comics: An Interview with Ben Katchor

  • Frederick Luis Aldama

Volume 42 • Issue 1 • 2017

Burn after Reading: Animal Terrorism in Duncan the Wonder Dog: Show One

Burn after Reading: Animal Terrorism in Duncan the Wonder Dog: Show One

  • Christopher Pizzino

Volume 42 • Issue 1 • 2017

Neoliberalism in the Gutter: Latin American Comics and Society since the 1990s

Neoliberalism in the Gutter: Latin American Comics and Society since the 1990s

  • Mauricio Espinoza

Volume 42 • Issue 1 • 2017

Against Representation: A Note on Jorge Luis Borges’ Aleph

Against Representation: A Note on Jorge Luis Borges’ Aleph

  • Ilan Stavans

Volume 42 • Issue 1 • 2017

Joy of Ugly Feelings: Korean “Bad Taste” Webtoons as a Case Study

Joy of Ugly Feelings: Korean “Bad Taste” Webtoons as a Case Study

  • Hyesu Park

Volume 42 • Issue 1 • 2017

Perineum: Erika Lopez

Perineum: Erika Lopez

  • Debra A Castillo

Volume 42 • Issue 1 • 2017

bookreview


Andrew J. Kunka. Autobiographical Comics. New York: Bloomsbury Academic, 2017.

Andrew J. Kunka. Autobiographical Comics. New York: Bloomsbury Academic, 2017.

  • Nicole Dib

Volume 42 • Issue 1 • 2017

Mel Gibson. Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood. Leuven: Leuven UP, 2015.

Mel Gibson. Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood. Leuven: Leuven UP, 2015.

  • Kristof Van Gansen

Volume 42 • Issue 1 • 2017

Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017.   ---. Superman: The Persistence of an American Icon. New Jersey: Rutgers UP, 2017.

Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence of an American Icon. New Jersey: Rutgers UP, 2017.

  • Cathy L Ryan

Volume 42 • Issue 1 • 2017

Michelle Ann Abate and Gwen Athene Tarbox. Graphic Novels for Children and Young Adults. UP of Mississippi, 2017.

Michelle Ann Abate and Gwen Athene Tarbox. Graphic Novels for Children and Young Adults. UP of Mississippi, 2017.

  • Carlos G Kelly

Volume 42 • Issue 1 • 2017

Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.

Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.

  • Danielle A Orozco

Volume 42 • Issue 1 • 2017

Tom Spurgeon and Michael Dean. We Told You So: Comics As Art. Seattle: Fantagraphics Books, 2016.

Tom Spurgeon and Michael Dean. We Told You So: Comics As Art. Seattle: Fantagraphics Books, 2016.

  • Rachel R. Miller

Volume 42 • Issue 1 • 2017

Enrique García. The Hernandez Brothers: Love, Rockets, and Alternative Comics. Pittsburgh: U of Pittsburgh P, 2017.

Enrique García. The Hernandez Brothers: Love, Rockets, and Alternative Comics. Pittsburgh: U of Pittsburgh P, 2017.

  • Magda Garcia

Volume 42 • Issue 1 • 2017

Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin: U of Texas P, 2016.

Christopher Pizzino. Arresting Development: Comics at the Boundaries of Literature. Austin: U of Texas P, 2016.

  • Katlin M Sweeney

Volume 42 • Issue 1 • 2017

Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.

Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.

  • Jessica Rutherford

Volume 42 • Issue 1 • 2017

Frederick Luis Aldama and Christopher M. González, eds. Graphic Borders: Latino Comic Books Past, Present, and Future. Austin: U of Texas P, 2016.

Frederick Luis Aldama and Christopher M. González, eds. Graphic Borders: Latino Comic Books Past, Present, and Future. Austin: U of Texas P, 2016.

  • Noel R Zavala

Volume 42 • Issue 1 • 2017

David William Foster. El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and Brazil. Austin: U of Texas P, 2016.

David William Foster. El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and Brazil. Austin: U of Texas P, 2016.

  • Laura M Fernandez

Volume 42 • Issue 1 • 2017

Blair Davis. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers UP, 2016.

Blair Davis. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers UP, 2016.

  • Violeta Martínez-Alcañiz

Volume 42 • Issue 1 • 2017

Jean Braithwaite, ed. Chris Ware: Conversations. Jackson: The UP of Mississippi, 2017.

Jean Braithwaite, ed. Chris Ware: Conversations. Jackson: The UP of Mississippi, 2017.

  • Lindsay Harper Cannon

Volume 42 • Issue 1 • 2017

Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017.

Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017.

  • Jacinta Yanders

Volume 42 • Issue 1 • 2017

Michael A Chaney. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: UP of Mississippi, 2016.

Michael A Chaney. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: UP of Mississippi, 2016.

  • Jennifer Caroccio

Volume 42 • Issue 1 • 2017

Frederick Luis Aldama. Latinx Superheroes in Mainstream Comics. Tucson: U of Arizona P, 2017.

Frederick Luis Aldama. Latinx Superheroes in Mainstream Comics. Tucson: U of Arizona P, 2017.

  • Danielle A Orozco

Volume 42 • Issue 1 • 2017

Matt Yockey. Make Ours Marvel: Media Convergence and a Comics Universe. Austin: U of Texas P, 2017.

Matt Yockey. Make Ours Marvel: Media Convergence and a Comics Universe. Austin: U of Texas P, 2017.

  • Kevin Degnan

Volume 42 • Issue 1 • 2017

Greice Schneider. What Happens When Nothing Happens: Boredom and Everyday Life in Contemporary Comics. Leuven: Leuven UP, 2016.

Greice Schneider. What Happens When Nothing Happens: Boredom and Everyday Life in Contemporary Comics. Leuven: Leuven UP, 2016.

  • David Pinho Barros

Volume 42 • Issue 1 • 2017

Derek C. Maus and James J. Donahue. Post-Soul Satire: Black Identity after Civil Rights. Jackson: UP of Mississippi, 2014.

Derek C. Maus and James J. Donahue. Post-Soul Satire: Black Identity after Civil Rights. Jackson: UP of Mississippi, 2014.

  • Jacinta Yanders

Volume 42 • Issue 1 • 2017

Frances Gateward and John Jennings. The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art. Rutgers UP, 2015.

Frances Gateward and John Jennings. The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art. Rutgers UP, 2015.

  • Evan B Thomas

Volume 42 • Issue 1 • 2017

Mark Heimermann and Brittany Tullis, eds. Picturing Childhood: Youth in Transnational Comics. Austin: U of Texas P, 2017.

Mark Heimermann and Brittany Tullis, eds. Picturing Childhood: Youth in Transnational Comics. Austin: U of Texas P, 2017.

  • Cristina R Rivera

Volume 42 • Issue 1 • 2017

essay


Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

Hillary L. Chute. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard UP, 2016.

  • Julia Watson

Volume 42 • Issue 1 • 2017