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Volume 42 • Issue 2 • 2018

introductory


STTCL Editorial Board

STTCL Editorial Board

    Volume 42 • Issue 2 • 2018

    Advertisement: Women in French Studies

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      Volume 42 • Issue 2 • 2018

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        Volume 42 • Issue 2 • 2018

        article


        The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59)

        The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59)

        • Todd W. Reeser

        Volume 42 • Issue 2 • 2018

        Experimental Writing, Experimental Reading

        Experimental Writing, Experimental Reading

        • Warren Motte

        Volume 42 • Issue 2 • 2018

        Reframing Jewish Forms of Speaking to God: The Use of Apostrophe in David Rosenmann-Taub’s Cortejo y epinicio

        Reframing Jewish Forms of Speaking to God: The Use of Apostrophe in David Rosenmann-Taub’s Cortejo y epinicio

        • Raelene C Wyse

        Volume 42 • Issue 2 • 2018

        Clandestine Migration and the Politics of Form in Nicole Caligaris’s Les Samothraces

        Clandestine Migration and the Politics of Form in Nicole Caligaris’s Les Samothraces

        • Oana Sabo

        Volume 42 • Issue 2 • 2018

        Alternate Facts and Reality Effects in Antoine Bello’s Roman américain

        Alternate Facts and Reality Effects in Antoine Bello’s Roman américain

        • Jennifer Willging

        Volume 42 • Issue 2 • 2018

        Addressing Diversity and Difference in Contemporary Spanish Lesbian Literature: Reading Illy Nes’s El lago rosa and Cristina Cuesta’s “Zoe y Haydee”

        Addressing Diversity and Difference in Contemporary Spanish Lesbian Literature: Reading Illy Nes’s El lago rosa and Cristina Cuesta’s “Zoe y Haydee”

        • Megan Sheldon

        Volume 42 • Issue 2 • 2018

        Performing Editorial Authority in Ingo Schulze’s Epistolary Novel Neue Leben

        Performing Editorial Authority in Ingo Schulze’s Epistolary Novel Neue Leben

        • Anita Lukic

        Volume 42 • Issue 2 • 2018

        The Ethics of Citation in Patrick Modiano’s Dora Bruder and Georges Perec’s  W ou le souvenir d’enfance

        The Ethics of Citation in Patrick Modiano’s Dora Bruder and Georges Perec’s W ou le souvenir d’enfance

        • Roderick Cooke

        Volume 42 • Issue 2 • 2018

        bookreview


        Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. Philadelphia: U of Pennsylvania P, 2016.

        Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. Philadelphia: U of Pennsylvania P, 2016.

        • Kelsey B. Madsen

        Volume 42 • Issue 2 • 2018

        Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the Family Tree. Ann Arbor: U of Michigan P, 2016.

        Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the Family Tree. Ann Arbor: U of Michigan P, 2016.

        • Annie de Saussure

        Volume 42 • Issue 2 • 2018

        Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool UP, 2017.

        Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool UP, 2017.

        • Alvaro Luna

        Volume 42 • Issue 2 • 2018

        Courtney Sullivan. The Evolution of the French Courtesan Novel: From Chabrillan to Colette. London: Palgrave Macmillan Publishers, 2016.

        Courtney Sullivan. The Evolution of the French Courtesan Novel: From Chabrillan to Colette. London: Palgrave Macmillan Publishers, 2016.

        • Zoe Petropoulou

        Volume 42 • Issue 2 • 2018

        David Ohana. Albert Camus and the Critique of Violence. Trans. David Maisel. Brighton: Sussex Academic Press, 2017.

        David Ohana. Albert Camus and the Critique of Violence. Trans. David Maisel. Brighton: Sussex Academic Press, 2017.

        • Melissa Ptacek

        Volume 42 • Issue 2 • 2018

        Oana Panaïté. The Colonial Fortune in Contemporary Fiction in French. Liverpool: Liverpool UP, 2017.

        Oana Panaïté. The Colonial Fortune in Contemporary Fiction in French. Liverpool: Liverpool UP, 2017.

        • Nanar Khamo

        Volume 42 • Issue 2 • 2018

        Michèle Anne Schaal. Une troisième vague féministe et littéraire: les femmes de lettres de la nouvelle génération. Leiden/Boston: Brill, 2017.

        Michèle Anne Schaal. Une troisième vague féministe et littéraire: les femmes de lettres de la nouvelle génération. Leiden/Boston: Brill, 2017.

        • Anna Rocca

        Volume 42 • Issue 2 • 2018

        Emilio Peral Vega. Pierrot/Lorca: White Carnival of Black Desire. London: Tamesis, 2015.

        Emilio Peral Vega. Pierrot/Lorca: White Carnival of Black Desire. London: Tamesis, 2015.

        • Enrique Álvarez

        Volume 42 • Issue 2 • 2018

        Kathryn A. Kleppinger. Branding the 'Beur' Author: Minority Writing and the Media in France, 1983-2013. Liverpool: Liverpool UP, 2015.

        Kathryn A. Kleppinger. Branding the 'Beur' Author: Minority Writing and the Media in France, 1983-2013. Liverpool: Liverpool UP, 2015.

        • Christopher Ice

        Volume 42 • Issue 2 • 2018

        Hester Baer and Alexandra Merley Hill, eds. German Women’s Writing in the Twenty-First Century. Rochester: Camden House, 2015.

        Hester Baer and Alexandra Merley Hill, eds. German Women’s Writing in the Twenty-First Century. Rochester: Camden House, 2015.

        • Brigitte Rossbacher

        Volume 42 • Issue 2 • 2018

        Peter Kalliney. Modernism in a Global Context. London: Bloomsbury, 2016.

        Peter Kalliney. Modernism in a Global Context. London: Bloomsbury, 2016.

        • Kevin C. Robbins

        Volume 42 • Issue 2 • 2018

        Nicole Simek. Hunger and Irony in the French Caribbean: Literature, Theory, and Public. New York: Palgrave Macmillan, 2016.

        Nicole Simek. Hunger and Irony in the French Caribbean: Literature, Theory, and Public. New York: Palgrave Macmillan, 2016.

        • Jennifer Boum Make

        Volume 42 • Issue 2 • 2018

        Javier García Liendo. El intelectual y la cultura de masas. Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas. West Lafayette: Purdue UP, 2017.

        Javier García Liendo. El intelectual y la cultura de masas. Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas. West Lafayette: Purdue UP, 2017.

        • Fernando Fonseca Pacheco

        Volume 42 • Issue 2 • 2018

        Jane Hiddleston. Writing After Postcolonialism: Francophone North African Literature in Transition. London: Bloomsbury Academic, 2017.

        Jane Hiddleston. Writing After Postcolonialism: Francophone North African Literature in Transition. London: Bloomsbury Academic, 2017.

        • Beatrice Guenther

        Volume 42 • Issue 2 • 2018

        Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016.

        Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016.

        • Tanya Gonzalez

        Volume 42 • Issue 2 • 2018

        Patricia L. Swier and Julia Riordan-Goncalves, eds. Dictatorships in the Hispanic World: Transatlantic and Transnational Perspectives. Madison, NJ: Fairleigh Dickinson UP, 2013

        Patricia L. Swier and Julia Riordan-Goncalves, eds. Dictatorships in the Hispanic World: Transatlantic and Transnational Perspectives. Madison, NJ: Fairleigh Dickinson UP, 2013

        • Bécquer Seguín

        Volume 42 • Issue 2 • 2018

        Margaret McCarthy. Mad Mädchen: Feminism and Generational Conflict in Recent German Literature and Film. New York: Berghahn Books, 2017.

        Margaret McCarthy. Mad Mädchen: Feminism and Generational Conflict in Recent German Literature and Film. New York: Berghahn Books, 2017.

        • Bridget Swanson

        Volume 42 • Issue 2 • 2018

        Anthony Paraskeva. Samuel Beckett and Cinema. London: Bloomsbury, 2017.

        Anthony Paraskeva. Samuel Beckett and Cinema. London: Bloomsbury, 2017.

        • Katarzyna Peric

        Volume 42 • Issue 2 • 2018

        Paul Cuff. Abel Gance and the End of Silent Cinema: Sounding Out Utopia. Palgrave Macmillan, 2016.

        Paul Cuff. Abel Gance and the End of Silent Cinema: Sounding Out Utopia. Palgrave Macmillan, 2016.

        • Margaret C Flinn

        Volume 42 • Issue 2 • 2018

        Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015.

        Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015.

        • Alessandra Benedicty-Kokken

        Volume 42 • Issue 2 • 2018

        Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016.

        Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016.

        • Adam J Sacks

        Volume 42 • Issue 2 • 2018

        Sylvie Blum-Reid. Traveling in French Cinema. New York: Palgrave Macmillan, 2016.

        Sylvie Blum-Reid. Traveling in French Cinema. New York: Palgrave Macmillan, 2016.

        • Anne V. Cirella-Urrutia

        Volume 42 • Issue 2 • 2018