Volume 27 • Issue 2 • 2003

Front matter, vol. 27, issue 2

2003-06-01 Volume 27 • Issue 2 • 2003

The Craft of Emotion in Isabel Allende's Paula

• Susan Carvalho

2003-06-01 Volume 27 • Issue 2 • 2003

The Integration of a Fragmented Self in the Works of Angelina Muñiz-Huberman

• Malva E. Filer

2003-06-01 Volume 27 • Issue 2 • 2003

The Construction of the Other and the Self in André Gide's Travels in the Congo and Frantz Fanon's Black Skin, White Masks

• Raphaël Lambert

2003-06-01 Volume 27 • Issue 2 • 2003

Violent Fathers and Runaway Sons: Colonial Relationships in Une vie de boy and Mission terminée

• Laurie Corbin

2003-06-01 Volume 27 • Issue 2 • 2003

Surreal and Canny Selves: Photographic Figures in Claude Cahun

• Gayle Zachmann

2003-06-01 Volume 27 • Issue 2 • 2003

The Violence of Merging: Unica Zürn's Writing (on) the Body

• Caroline Rupprecht

2003-06-01 Volume 27 • Issue 2 • 2003

Restaging Hysteria: Mary Wigman as Writer and Dancer

• Laura A. McLary

2003-06-01 Volume 27 • Issue 2 • 2003

Malone Dies and the Beckettian Mimesis of Inexistence

• Eric P. Levy

2003-06-01 Volume 27 • Issue 2 • 2003

The Literal and the Literary: A Note on the Historical References in Isabel Allende's La casa de los espíritus

• Scott Macdonald Frame

2003-06-01 Volume 27 • Issue 2 • 2003

"Playing a Game of Worlds": Postmodern Time and the Search for Individual Autonomy in Vladimir Nabokov's Pale Fire

• Jill LeRoy-Frazier

2003-06-01 Volume 27 • Issue 2 • 2003

Review of recent publications

2003-06-01 Volume 27 • Issue 2 • 2003