Volume 20 • Issue 2 • 1996

Introduction: The Object in France Today

• Martine Antle

1996-06-01 Volume 20 • Issue 2 • 1996

Front matter, vol. 20, issue 2

1996-06-01 Volume 20 • Issue 2 • 1996

From Iron to Glass: Transparency and Pluralism

• Maryse Fauvel

1996-06-01 Volume 20 • Issue 2 • 1996

What's Behind the Billboard: Dead Men and Private Parts. Object? Sign? Thing?

• Peter Schofer

1996-06-01 Volume 20 • Issue 2 • 1996

The Disappearance of Objects in "Surmodernity": From Object-images to Meta-objects

• Dominique D. Fisher

1996-06-01 Volume 20 • Issue 2 • 1996

Subverting the Dominant Order: Narrative as Weapon in Simone de Beauvoir's Tous les hommes sont mortels

• Barbara Klaw

1996-06-01 Volume 20 • Issue 2 • 1996

Reading in Colette: Domination, Resistance, Autonomy

• Laurel Cummins

1996-06-01 Volume 20 • Issue 2 • 1996

The Fictions of Surrealism

• Walter A. Strauss

1996-06-01 Volume 20 • Issue 2 • 1996

Body / Antibody

• Lawrence R. Schehr

1996-06-01 Volume 20 • Issue 2 • 1996

Border Crossings in Maríe Redonnet's Splendid [Seaside] Hôtel

• Elizabeth A. Mazza-Anthony

1996-06-01 Volume 20 • Issue 2 • 1996

Combas & Co. or the Figure and the Great Divide

• Monique Yaari

1996-06-01 Volume 20 • Issue 2 • 1996

Addressing Success: Fame and Narrative Strategies in Colette's La Naissance du jour

• Juliette M. Rogers

1996-06-01 Volume 20 • Issue 2 • 1996

Fashion, Bodies, and Objects

• Jean-François Fourny

1996-06-01 Volume 20 • Issue 2 • 1996

Reviews of recent publications

1996-06-01 Volume 20 • Issue 2 • 1996