Volume 18 • Issue 2 • 1994

Front matter, vol. 18, issue 2

1994-06-01 Volume 18 • Issue 2 • 1994

Rhythm and Meter in the Early Juan Ramón Jiménez: The Case of "¡Silencio!" of Estío

• Vialla Hartfield-Méndez

1994-06-01 Volume 18 • Issue 2 • 1994

The Personal and the Political in the Work of Mariama Bâ

• Adele King

1994-06-01 Volume 18 • Issue 2 • 1994

Style and Otherness in L.-F. Céline's Rigodon

• Ann L. Murphy

1994-06-01 Volume 18 • Issue 2 • 1994

Questioning the Postmodern: Deguy, Jabès and Pleynet

• Joan Brandt

1994-06-01 Volume 18 • Issue 2 • 1994

Phylacteries as Metaphor in Elie Wiesel's Le Testament d'un poète juif assassiné

• Simon P. Sibelman

1994-06-01 Volume 18 • Issue 2 • 1994

The Past and the Present in the Early Novels of Hanns-Josef Ortheil

• Ernestine Schlant

1994-06-01 Volume 18 • Issue 2 • 1994

Return to "0": A Lacanian Reading of Ingeborg Bachmann's "Undine Goes"

• Veronica P. Scrol

1994-06-01 Volume 18 • Issue 2 • 1994

Street-signs: The City as Context and as Code in the Novels of Claire Etcherelli

• Sara Poole

1994-06-01 Volume 18 • Issue 2 • 1994

Robert Musil: Literature as Experience

• Burton Pike

1994-06-01 Volume 18 • Issue 2 • 1994

Reviews of recent publications

1994-06-01 Volume 18 • Issue 2 • 1994